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가장 빼어난 화가, 조각가, 건축가들의 생애

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The Lives of the Most Excellent Painters, Sculptors, and Architects

The Lives of the Most Excellent Painters, Sculptors, and Architects (스크립트 오류: "lang" 모듈이 없습니다.), also known as The Lives (스크립트 오류: "lang" 모듈이 없습니다.), 는 16세기의 이탈리아의 화가이자 건축가인 조르조 바사리가 쓴 일련의 예술가 전기이며, "아마 제일 유명하고, 심지어 오늘날까지도 제일 많이 읽히는 옛 예술 문헌",[1] "이탈리아 르네상스 시대에서 제일 영향력 있는 예술에 관한 저술 중 하나",[2] "예술사에서 최초로 출간된 주요 서적" 으로 여겨진다.[3] 제목은 흔히 단순히 Vite나 the Lives로 축약된다.

이 책은 처음에는 상당한 시간차를 두고 두 판으로 나뉘어 각각 1550년, 1568년에 출간되었으며 두 번째가 주로 번역, 인용되었다. 비록 바사리가 두 번째 판에서 자행한 그의 고향 피렌체의 예술의 지나친 강조로 인해 비판받아왔지만, 두 번째 판에서 한 가지 중요한 변화는 베네치아 예술에 좀 더 집중했다는 것이다.

배경[편집]

조르조는 최초의 이탈리아 예술사가로서 오늘날까지 이어지는 예술가 전기 사전 장르를 창시하였다. 바사리의 작품은 1550년에 피렌체에서 로렌조 토렌티노가 최초로 출간하였고,[4] 코시모 1세 데 메디치에게 바쳐졌다. It included a valuable treatise on the technical methods employed in the arts. It was partly rewritten and enlarged in 1568 and provided with woodcut portraits of artists (some conjectural).

이 작품은 피렌체에게 지속적이고 악명 높은 지나친 고평가를 해왔으며, The work has a consistent and notorious favour of Florentines and tends to attribute to them all the new developments in Renaissance art—for example, the invention of engraving. Venetian art in particular, let alone other parts of Europe, is systematically ignored.[5] Between his first and second editions, Vasari visited Venice and the second edition gave more attention to Venetian art (finally including Titian) without achieving a neutral point of view. John Symonds claimed in 1899 that, "It is clear that Vasari often wrote with carelessness, confusing dates and places, and taking no pains to verify the truth of his assertions" (in regards to Vasari's life of Nicola Pisano), while acknowledging that, despite these shortcomings, it is one of the basic sources for information on the Renaissance in Italy.[6]

바사리의 전기들은 즐거운 잡담의 흥미로운 소재가 되었다. 그의 일화의 대부분은 창작에 가까웠지만, 진실성이 느껴졌다. Others are generic fictions, such as the tale of young Giotto painting a fly on the surface of a painting by Cimabue that the older master repeatedly tried to brush away, a genre tale that echoes anecdotes told of the Greek painter Apelles. He did not research archives for exact dates, as modern art historians do, and naturally his biographies are most dependable for the painters of his own generation and the immediately preceding one. Modern criticism—with all the new materials opened up by research—has corrected many of his traditional dates and attributions. The work is widely considered a classic even today, though it is widely agreed that it must be supplemented by modern scientific research.

Vasari includes a forty-two-page sketch of his own biography at the end of his Vite, and adds further details about himself and his family in his lives of Lazzaro Vasari and Francesco de' Rossi.

영향[편집]

Vasari's Vite has been described as "by far the most influential single text for the history of Renaissance art"[7] and "the most important work of Renaissance biography of artists".[1] Its influence is situated mainly in three domains: as an example for contemporary and later biographers and art historians, as a defining factor in the view on the Renaissance and the role of Florence and Rome in it, and as a major source of information on the lives and works of early Renaissance artists from Italy.

The Vite has been translated wholly or partially into many languages, including English, Dutch, German, Spanish, French and Russian.

Early translations became a model for others[편집]

The Vite formed a model for encyclopedias of artist biographies. Different 17th century translators became artist biographers in their own country of origin and were often called the Vasari of their country. Karel Van Mander was probably the first Vasarian author with his Painting book (Het Schilderboeck, 1604), which encompassed not only the first Dutch translation of Vasari, but also the first Dutch translation of Ovid and was accompanied by a list of Italian painters who appeared on the scene after Vasari, and the first comprehensive list of biographies of painters from the Low Countries.[1] Similarly, Joachim von Sandrart, author of Deutsche Akademie (1675), became known as the "German Vasari" and Antonio Palomino, author of "An account of the lives and works of the most eminent Spanish painters, sculptors and architects" (1724), became the "Spanish Vasari".[8] In England, Aglionby's Painting Illustrated from 1685 was largely based on Vasari as well.[1]

View of the Renaissance[편집]

The Vite is also important as the basis for discussions about the development of style.[9] It influenced the view art historians had of the Early Renaissance for a long time, placing too much emphasis on the achievements of Florentine and Roman artists while ignoring those of the rest of Italy and certainly the artists from the rest of Europe.[10]

정보의 출처[편집]

For centuries, it has been the most important source of information on Early Renaissance Italian (and especially Tuscan) painters and the attribution of their paintings. In 1899, John Addington Symonds used the Vite as one of his basic sources for the description of artists in his seven books on the Renaissance in Italy,[11] and nowadays it is still, despite its obvious biases and shortcomings, the basis for the biographies of many artists like Leonardo da Vinci.[12]

내용[편집]

The Vite contains the biographies of many important Italian artists, and is also adopted as a sort of classical reference guide for their names, which are sometimes used in different ways. The following list respects the order of the book, as divided into its three parts. The book starts with a dedication to Cosimo I de' Medici and a preface, and then starts with technical and background texts about architecture, sculpture, and painting.[13] A second preface follows, introducing the actual "Vite" in parts 2 to 5. What follows is the complete list from the second (1568) edition. In a few cases, different very short biographies were given in one section.

파트2[편집]

파트3[편집]

파트4[편집]

파트5[편집]

파트6[편집]

개정판, 번역판[편집]

수 년 동안 이 책의 수많은 개정판과 번역판이 출간되었다. 원본이 굉장히 분량이 많기 때문에, 대부분 요약본으로 출시되었다. 영문판 최신본은 1991년에 피터 & 줄리아 본다넬라가 Oxford World's Classics에 출간한 것이다.[14]

  • 1568년판의 파트 I, II (커버)

    1568년판의 파트 I, II (커버)

  • 1568년판의 파트 I, II (온전)

    1568년판의 파트 I, II (온전)

  • 1568년판의 파트 III 1권 (온전)

    1568년판의 파트 III 1권 (온전)

  • 1568년판의 파트 III 2권 (온전)

    1568년판의 파트 III 2권 (온전)

온라인 버전[편집]

참고 문서[편집]

  • Egg of Columbus (Lives contains a similar story to the Columbus' egg story)

각주[편집]

  1. ↑ 1.0 1.1 1.2 1.3 Max Marmor, Kunstliteratur, translated by Ernst Gombrich, in Art Documentation Vol 11 # 1, 1992
  2. ↑ 스크립트 오류: "citation/CS1" 모듈이 없습니다.
  3. ↑ Murray, P. and L. Murray. (1963) The art of the renaissance. London: Thames & Hudson (World of Art), p. 8. 모듈:Citation/CS1/styles.css 문서에 내용이 없습니다.스크립트 오류: "Catalog lookup link" 모듈이 없습니다.스크립트 오류: "check isxn" 모듈이 없습니다.
  4. ↑ 스크립트 오류: "citation/CS1" 모듈이 없습니다.
  5. ↑ 스크립트 오류: "citation/CS1" 모듈이 없습니다.
  6. ↑ 스크립트 오류: "citation/CS1" 모듈이 없습니다.
  7. ↑ Professor Hope, The Warburg Institute, course synopsis, 2007 Archived 27 September 2007 - 웨이백 머신.
  8. ↑ 스크립트 오류: "citation/CS1" 모듈이 없습니다.
  9. ↑ Elinor Richter, reviewing Philip Sohms study of style in the art theory :"Giorgio Vasari's Vite, the first edition of which was published in 1550, provides the foundation for any discussion of the development of style."
  10. ↑ Stephanie Leone, The Renaissance Society of America, 2007: "[...] the traditional definition of Renaissance art as the humanistic innovations of Florentine and Roman artists, to which Giorgio Vasari's Vite (1550, 1568) gave rise."
  11. ↑ 스크립트 오류: "citation/CS1" 모듈이 없습니다.
  12. ↑ 스크립트 오류: "citation/CS1" 모듈이 없습니다.
  13. ↑ Vasari, Giorgio. (1907) Vasari on technique: being the introduction to the three arts of design, architecture, sculpture and painting, prefixed to the Lives of the most excellent painters, sculptors and architects. G. Baldwin Brown Ed. Louisa S. Maclehose Trans. London: Dent.
  14. ↑ Vasari, G. The Lives of the Artists. Translated with an introduction and notes by J.C. and Peter Bondanella. Oxford: Oxford University Press (Oxford World’s Classics), 1991. 모듈:Citation/CS1/styles.css 문서에 내용이 없습니다.스크립트 오류: "Catalog lookup link" 모듈이 없습니다.스크립트 오류: "check isxn" 모듈이 없습니다.

출처[편집]

외부 링크[편집]



This article "가장 빼어난 화가, 조각가, 건축가들의 생애" is from Wikipedia. The list of its authors can be seen in its historical and/or the page Edithistory:가장 빼어난 화가, 조각가, 건축가들의 생애. Articles copied from Draft Namespace on Wikipedia could be seen on the Draft Namespace of Wikipedia and not main one.

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