드림 팝

틀:Use dmy dates

드림 팝
장르 뿌리	얼터너티브 록 고딕 록 neo-psychedelia
문화 뿌리	1980년대 초반, 영국
사용 악기	보컬 일렉트로닉 기타 신디사이저
관련 항목
List of dream pop artists 인디 팝 사이키델릭 팝

Dream pop (or dreampop) is a subgenre of alternative rock and neo-psychedelia that developed in the 1980s. The style is typified by a preoccupation with sonic texture and atmosphere as much as melody. It often overlaps with the related genre of shoegazing, and the two genre terms have at times been used interchangeably.

드림 팝(Dream pop)은 1980년대에 나타난 얼터너티브 록과 neo-psychedelia의 하위 장르이며, 멜로디만큼 소닉 텍스쳐와 분위기에 사로잡혀 스타일을 유형화한다. 관련 장르인 슈게이징과 중복되는 경우가 많으며, 두 장르의 용어는 때때로 서로 교환하여 사용되어 왔다.

특징

Dream pop is thought to relate to the "immersion" in the music experienced by the listener. The term "dream pop" is credited to Alex Ayuli of A.R. Kane, who used the phrase to describe the band's sound. It was subsequently adopted by music critic Simon Reynolds to describe the nascent shoegazing scene in the UK. In the 1990s, "dream pop" and "shoegazing" were interchangeable and regionally dependent terms, with "dream pop" being the name by which "shoegazing" was typically known in America.

The AllMusic Guide to Electronica (2003) defined dream pop as "an atmospheric subgenre of alternative rock that relies on sonic textures as much as melody". Common characteristics are breathy vocals, the use of guitar effects, and a densely produced sound. The music tends to focus on textures and moods rather than propulsive rock riffs. Lyrics are often introspective or existential in nature. In the view of Simon Reynolds, dream pop "celebrates rapturous and transcendent experiences, often using druggy and mystical imagery". According to Rachel Felder, dream pop artists often resist representations of social reality in favour of ambiguous or hallucinogenic experiences.

드림 팝은 듣는 사람이 경험하는 음악 속의 "몰입"와 관련이 있다고 생각된다. "드림 팝"이라는 용어는 A.R. 케인의 알렉스 아율리가 악단의 소리를 묘사하기 위해 이 문구를 사용했기 때문에 붙여진 것이다.[7] 이후 음악평론가 사이먼 레이놀즈에 의해 영국의 초기 슈게이징 장면을 묘사하기 위해 채택되었다.[3] 1990년대에 "드림 팝"과 "슈게이징"은 서로 교환할 수 있고 지역적으로 의존적인 용어였으며, "드림 팝"은 미국에서 일반적으로 "슈게이징"이 알려진 이름이었다.[8]

역사

Author Nathan Wiseman-Trowse explained that the "approach to the sheer physicality of sound" integral to dream pop was "arguably pioneered in popular music by figures such as Phil Spector and Brian Wilson". The music of the Velvet Underground in the 1960s and 1970s, which experimented with repetition, tone, and texture over conventional song structure, was also an important touchstone in the genre's development George Harrison's 1970 album All Things Must Pass, with its Spector-produced Wall of Sound and fluid arrangements, led music journalist John Bergstrom to credit it as a progenitor of the genre.

작가 Nathan Wiseman-Trowse는 드림 팝에서 필수적인 "사운드의 순수한 특질에 대한 접근"은 필 스펙터와 브라운 위슨이 개척했다고 설명하였다. 진부한 노래 구조를 뛰어 넘어 반복, 톤, 질감을 실험했던 벨벳 언더그라운드의 1960년대와 1970년대 음악은 장르의 발전에서 중요한 이정표이다.음악 저널리스트 존 버그스트럼(John Bergstrom)은 월 오브 사운드를 이용하고 유연하게 편곡된 조지 해리슨의 1970년 앨범 All Things Must Pass를 장르의 선구자로 평가한다.

Reynolds described dream pop bands as "a wave of hazy neo-psychedelic groups", noting the influence of the "ethereal soundscapes" of bands such as Cocteau Twins. Rolling Stone's Kory Grow described "modern dream pop" as originating with the early 1980s work of Cocteau Twins and their contemporaries, while PopMatters' AJ Ramirez noted an evolutionary line from gothic rock to dream pop. Grow considered Julee Cruise's 1989 album Floating into the Night, written and produced by David Lynch and Angelo Badalamenti, as a significant development of the dream pop sound which "gave the genre its synthy sheen."

In the early 1990s, some dream pop acts influenced by My Bloody Valentine, such as Seefeel, were drawn to techno and began utilizing elements such as samples and sequenced rhythms. Ambient pop music was described by AllMusic as "essentially an extension of the dream pop that emerged in the wake of the shoegazer movement", distinct for its incorporation of electronic textures.

Much of the music associated with the 2009-coined term "chillwave" could be considered dream pop. In the opinion of Grantland's David Schilling, when "chillwave" was popularized, the discussion that followed among music journalists and bloggers revealed that labels such as "shoegaze" and "dream pop" were ultimately "arbitrary and meaningless".

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 이 부분의 본문은 List of dream pop artists입니다.

같이 보기

• Noise pop
• Ethereal wave

각주

틀:Alternative rock 틀:Goth subculture

분류:Neo-psychedelia 분류:Words coined in the 1980s 분류:British styles of music 분류:British rock music genres

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